ON SET DATA AND COLOR

Working on set, somewhere during COVID.

As a Digital Imaging Technician (DIT) I'm responsible for managing and safeguarding digital footage on set, ensuring a smooth workflow from camera to post-production. This can be a mix of data backups, color grading, making stills, quality control, audio syncing, metadata management, and the creation and upload of dailies and editorial proxies. By maintaining both technical accuracy and creative intent, the DIT helps streamline production, protect assets, and support the director and cinematographer’s vision. 

Below is a collection of some commercials I've worked on as a DIT.
ASN Bank - Czar
ASN Bank - Czar
Amazon - Bonkers United
Amazon - Bonkers United
Sergei Polunin x Anton Corbijn - 100% Halal
Sergei Polunin x Anton Corbijn - 100% Halal
Postcodekanjer - Czar
Postcodekanjer - Czar
Corona Cero - Scoville
Corona Cero - Scoville
Red Bull - Magenta Films
Red Bull - Magenta Films
Albert Hein - Holy Fools
Albert Hein - Holy Fools
Staatsloterij - Czar
Staatsloterij - Czar
Thuisbezorgd x Heineken - Wolfstreet
Thuisbezorgd x Heineken - Wolfstreet
Bijenkorf - JILT Studio
Bijenkorf - JILT Studio
Zalando - Northwest Productions
Zalando - Northwest Productions
Amstel UK - Cake Film
Amstel UK - Cake Film
Volkswagen ID.3 - Lief London
Volkswagen ID.3 - Lief London
Milk - Cake Film
Milk - Cake Film
Danone Aptamil - LUKKIEN
Danone Aptamil - LUKKIEN
Magic of the Disney Treasure - National Geographic
Magic of the Disney Treasure - National Geographic
Lost Frequencies - “Where Are You Now” video clip - Wolfstreet
Lost Frequencies - “Where Are You Now” video clip - Wolfstreet

You may also like

Back to Top